莫里斯掛毯(400 塊)成人木製拼圖

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“我是一個了不起的女人,一直都是,儘管你們似乎都不這麼認為。” ——梅‧莫里斯,1936 年。梅加入 Morris & Co 時,她設計了壁紙,但在 23 歲時,她成為 Morris & Co 刺繡部門的總監,並大幅擴展了業務。從 1885 年到 1896 年,她負責監督一個女性裁縫團隊,為壁紙和織物創造新的圖案和設計。在她的一生中,梅始終是個堅定的社會主義者。 1907 年,她與他人共同創立了婦女藝術協會(當時沒有哪個協會會接納女性),並致力於提高從事藝術和手工藝的婦女和女孩的專業地位和議價能力。 請注意:此拼圖的原始藝術是作為掛毯製作的,因此您可能會在圖像上看到一些紋理。...
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NP22-400-485D
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  • Every puzzle invites you to discover uniquely handcrafted whimsy (shaped) pieces, thoughtfully designed to complement the image theme.
  • Irregular pieces provide an engaging challenge, keeping puzzlers intrigued with interesting shapes and rewarding problem-solving.
  • To ensure exceptional durability, each puzzle is crafted from premium 4mm FSC-certified Finnish birch plywood.
  • Nautilus Puzzles are thoughtfully designed and meticulously crafted in the USA, on California's sunny central coast.
  • The puzzles are precision laser cut with advanced technology, ensuring every piece fits together perfectly for a smooth and enjoyable experience.
“我是一個了不起的女人,一直都是,儘管你們似乎都不這麼認為。” ——梅‧莫里斯,1936 年。

梅加入 Morris & Co 時,她設計了壁紙,但在 23 歲時,她成為 Morris & Co 刺繡部門的總監,並大幅擴展了業務。從 1885 年到 1896 年,她負責監督一個女性裁縫團隊,為壁紙和織物創造新的圖案和設計。

在她的一生中,梅始終是個堅定的社會主義者。 1907 年,她與他人共同創立了婦女藝術協會(當時沒有哪個協會會接納女性),並致力於提高從事藝術和手工藝的婦女和女孩的專業地位和議價能力。

請注意:此拼圖的原始藝術是作為掛毯製作的,因此您可能會在圖像上看到一些紋理。
這款木製拼圖遊戲是送給木製拼圖玩家、美術愛好者和工藝美術愛好者的完美禮物,可以一次又一次地完成。我們的木製拼圖藝術家製作了許多與繪畫主題相匹配的異形木製拼圖奇思妙想,並且我們以多種方式將它們集成在一起,當您將木製拼圖拼在一起時,您會感到高興和驚訝。
 
  • 附贈一張指導組裝的海報
  • 邊緣不規則的圓形拼圖,難度更高
  • 拼圖塊數:400
  • 完成的拼圖尺寸:直徑 15.5 英寸
  • 藝術家:梅莫里斯、威廉莫里斯 & Co
  • 序號:NP22-400-485
  • 木材厚度:4mm
  • 切工風格:現代
  • 難度:3級
  • 美國製造
  • 木製拼圖
  • Serial #: NP22-400-485D
  • Includes a Bonus Poster to Guide Assembly
  • Made in the USA
  • Number of Puzzle Pieces: 400
  • Completed Puzzle Size: 15.5" Diameter
  • Design Cut Style: Modern
  • Difficulty: Level 3

May Morris, William Morris & Co

May Morris was a highly skilled designer, embroiderer, and influential figure in the Arts and Crafts Movement, a late 19th-century and early 20th-century international design movement that sought to reform the decorative arts. Best known for her work with William Morris & Co., she was the daughter of the renowned designer William Morris. May inherited her father's artistic vision and carved out her significant legacy. She specialized in embroidery and textile design, elevating these crafts to a fine art form and championing their importance within the decorative arts.

Trained at the South Kensington School of Design and later managing the embroidery department of Morris & Co., May played a pivotal role in shaping the firm's output. Her designs, characterized by their intricate detail, natural motifs, and refined sense of composition, were a testament to her exceptional technical talent. Beyond this, she was a strong advocate for women's work in the arts, often writing, lecturing, and mentoring at a time when female artists were routinely overlooked.

May Morris's impact extends beyond her own creations. She helped preserve and promote the ideals of the Arts and Crafts ethos, emphasizing craftsmanship, quality, and the beauty of handmade work. Today, her contributions are increasingly recognized in exhibitions and scholarly work, a testament to her enduring influence and securing her place as a central figure in the movement and as a trailblazer who expanded the scope of what women artists could achieve in her era.





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