Birth of the Viola (349 Piece Wooden Jigsaw Puzzle)

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Parto da viola Bom Ménage was painted in 1916 just as the Orphism movement exploded in Portugal with publication of the...
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NP19-349-173D
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  • Every puzzle invites you to discover uniquely handcrafted whimsy (shaped) pieces, thoughtfully designed to complement the image theme.
  • Irregular pieces provide an engaging challenge, keeping puzzlers intrigued with interesting shapes and rewarding problem-solving.
  • To ensure exceptional durability, each puzzle is crafted from premium 4mm FSC-certified Finnish birch plywood.
  • Nautilus Puzzles are thoughtfully designed and meticulously crafted in the USA, on California's sunny central coast.
  • The puzzles are precision laser cut with advanced technology, ensuring every piece fits together perfectly for a smooth and enjoyable experience.
Parto da viola Bom Ménage was painted in 1916 just as the Orphism movement exploded in Portugal with publication of the influential Lisbon-based art magazine Orpheu. Orphism was an offshoot of Cubism that focused on pure abstraction and bright colors. This movement is considered a key step in the transition from Cubism to Abstract art.

The perfect gift for wooden jigsaw puzzlers,  this traditional adult wooden jigsaw puzzle can be done time and again. Our puzzle artists have included many shaped whimsy puzzle pieces that match the theme of the painting, and we have integrated them in ways that will delight and surprise you as you put the wooden jigsaw puzzle 
together.
 
  • Includes a Bonus Poster to Guide Assembly
  • Number of Puzzle Pieces: 349
  • Completed Puzzle Size: 14" X 11"
  • Artist: Amadeo de Souza Cardoso
  • Serial #: NP19-349-173D
  • Wood Thickness: 4mm
  • Design Cut Style: Modern
  • Difficulty: Level 2
  • Made in the USA
  • Wooden Jigsaw Puzzle
  • Serial #: NP19-349-173D
  • Includes a Bonus Poster to Guide Assembly
  • Made in the USA
  • Number of Puzzle Pieces: 349
  • Completed Puzzle Size: 14" X 11"
  • Design Cut Style: Modern
  • Difficulty: Level 2

Amadeo de Souza-Cardoso

Amadeo de Souza-Cardoso (1887–1918) was a pioneering Portuguese modernist painter whose innovative and eclectic style positioned him among the most significant figures of early 20th-century European art. Born in Manhufe, Amarante, into a prosperous rural family, he initially pursued architecture at the Lisbon Academy of Fine Arts. However, in 1906, he relocated to Paris to immerse himself in the vibrant artistic milieu. There, he studied at the Académie Vitti under Anglada Camarasa and formed close associations with avant-garde artists such as Amedeo Modigliani, Constantin Brâncuși, and Sonia and Robert Delaunay. These interactions profoundly influenced his artistic development, leading him to explore and integrate elements of Cubism, Futurism, and Expressionism into his work.
During his time in Paris, Souza-Cardoso actively participated in significant exhibitions, including the Salon des Indépendants and the Salon d'Automne. In 1913, he gained international recognition by exhibiting eight works at the Armory Show in the United States, selling seven of them—a testament to his burgeoning acclaim that reached across continents. His artworks from this period are characterized by bold colors, dynamic compositions, and a synthesis of diverse artistic influences, reflecting his commitment to forging a unique visual language. Notable pieces such as "Saut du Lapin" (1911) and "Entrada" (1917) exemplify his innovative approach to form and abstraction.
The outbreak of World War I compelled Souza-Cardoso to return to Portugal, where he continued to produce groundbreaking work despite the country's conservative art scene. He organized exhibitions in Porto and Lisbon, introducing Portuguese audiences to modernist aesthetics. In 1917, he collaborated with contemporaries like Almada Negreiros on the publication "Portugal Futurista," further cementing his role as a catalyst for modernism in Portugal. Tragically, his life and career were cut short when he succumbed to the Spanish flu in 1918 at the age of 30, leaving behind a promising legacy that could have further shaped the modernist movement. Although his work was largely overlooked for decades, recent retrospectives, including a major exhibition at the Grand Palais in Paris in 2016, have reestablished his significance in the canon of modern art.